Paris-based, Israeli-born image-maker/photographer Ben Sandler creates more than just pretty pictures. Sandler’s work is conceptually driven, challenging the viewer with thoughtfully crafted visuals. We are really taken with the theme of dissection, which we’ve seen in some of his work. In “No Limit” Sandler was faced with the task by Amusement Magazine to envision what the future will be like with the rise of on-demand production by 3D printers. What could have been an overly futuristic Photoshop extravaganza is an impeccable exploded view of the anatomy of a wristwatch. And for an editorial story on the subject of human movement for the French publication, Blast Magazine, Sandler utilizes long exposure in some really compelling ways. More on the subject of disassembly here.