Photographs frequently serve as links to the past, often summoning up memories of a time that came before. Tennessee-based photographer Greg Sand capitalizes on this association, which is fundamental to his philosophy as an artist. In his own words, Sand says: “My work is about memory, the passage of time, mortality and the photograph’s role in shaping our experience of loss. Photography’s unique ability to capture a fleeting moment allows it to expose the temporality of life.” In his series entitled Remnants, Sand creates stunning works composed of three found photos from different times in the subject’s past, cut into strips and skillfully woven together to form a sort of cloth-like composite portrait. Sand says of woven cloth as a metaphor for memory: “As Peter Stallybrass writes in Worn Worlds, ‘The magic of cloth is that it receives us: receives our smells, our sweat, our shape even.’ This is one of the marvels of memory as well: we perceive each moment in our lives; these are eventually woven together to form our memory. Each piece in this series creates a likeness of an individual that–rather than depicting an accurate visual representation of that person at any given time–presents a recollected coalescence of that person’s appearances throughout his or her life.” We love the concept, and Sand’s execution is picture-perfect.