Capturing Spectrums of Symmetry One JPEG at a Time
In case you’re not aware, there’s a new niche of photography on the rise, “smartphone photography”. With Apple’s recent announcement of yet more improvements to the already outstanding iPhone camera, this new brand of photography should come as no surprise. Though smartphone cameras don’t (yet) rival the quality of digital SLRs, they have come a long way, and there’s something to be said for their accessibility and convenience. So, it’s no wonder visual artists are compelled to simply reach in their pocket when it’s time to capture some creative brilliance. New Jersey-based visual artist/photographer/college student Adam Hillman is a perfect example. While the quality of his conceptual thinking and execution are rooted in traditional visual art as we know it, part of what defines Hillman’s work is his use of his smartphone. For one, his photos are unedited… what you see is what you get. And with a broadcast vehicle (the great big internet) basically integrated into his tool of choice (smartphone), the accessibility of his work is a key part of its appeal. Hillman’s appreciation for modern art is clear, and his use of color and order are a real draw for us (see previous posts here and here and here). We will be interested to see how Hillman’s work evolves over time. From the look of it, he will be making a name for himself well beyond these early works.
[…] we imagine it to be a utopia of tidy arrangements by color. We’ve said it before (here and here and here)… order (as in sequence, categorization, systemization) is innately pleasing to the […]